Tiwa Savage Shocks Fans: Reveals Nearly Three Years of Celibacy, No Sex Toys, and New Focus on Family

Tiwa Savage, the queen of Afrobeats and one of Nigeria’s most celebrated singers, has left fans stunned after a candid revelation on “The Breakfast Club,” the popular U.S. radio show. Known globally for her sultry stage presence, daring lyrics, and undeniable aura as a sex symbol, the singer admitted she has not had sex in almost three years and does not use sex toys either.

Her words peeled back the layers of her public image, showing a side of her that contrasts sharply with how the world perceives her. Instead of embodying the hyper-sexualized persona that her music videos and performances often suggest, Savage explained she has chosen celibacy and turned her focus inward, prioritizing personal growth and peace over fleeting romantic connections.

The revelation comes at a pivotal time in her career. In late August 2025, Tiwa released her fourth studio album, “This One Is Personal,” a project she described as her most intimate yet. The album, already dominating charts across Nigeria, the U.K., and the U.S., showcases themes of resilience, heartbreak, self-discovery, and healing.

Her promotional run for the album has taken her to major media outlets, but it was during her stop on The Breakfast Club that she offered perhaps her most vulnerable confession to date. “It’s been nearly three years, and I haven’t had sex. I don’t use toys either. It’s not about shame, it’s just where I am right now,” she said, leaving her hosts momentarily speechless before steering the conversation towards deeper reflections on life and love.

Savage’s comments build on a string of recent disclosures that suggest a woman actively reshaping her personal narrative. Earlier in the year, during her sit-down on the JMatt Show, she revealed that she had frozen her eggs, a decision she linked to her desire to have more sons in the future.

At 45, she said she felt empowered taking control of her reproductive choices without rushing into a relationship or marriage. “I know what I want, and I’m doing things my own way. If God blesses me with more children, I want boys. I love the bond I share with my son, and I want that multiplied,” she explained at the time.

These revelations, stacked together, paint a portrait of an artist who, rather than being defined by societal pressures of marriage or romance, is embracing independence, motherhood, and long-term planning.

Her celibacy, however, doesn’t come across as permanent or bitter. During her interview, Tiwa acknowledged that she still believes in love and intimacy but framed her current state as a season of reflection. “When I say I don’t want to love again, it’s not forever. It’s just for now. Love is beautiful, but it’s also painful, and I’m protecting myself until I’m ready again,” she said, hinting at the scars of her past experiences.

Fans immediately connected these remarks to her highly publicized marriage to music executive Tunji “TeeBillz” Balogun, which ended in 2016 after explosive allegations and a dramatic fallout that played out in public. Since then, Tiwa has kept her romantic life largely private, with only fleeting rumors linking her to other stars, including Wizkid, which she has consistently denied.

Her confession about celibacy also taps into wider conversations in Nigerian society about changing attitudes toward sex, relationships, and family. While her revelation may shock many who have long viewed her as the embodiment of sensuality, it resonates with a growing number of women who are choosing self-preservation over societal expectations.

Tiwa’s honesty might even embolden fans who feel pressure to conform to a culture that often equates a woman’s worth with her relationship status. Her decision to prioritize inner peace and spiritual health over sex or companionship, particularly at the height of her fame, reinforces her evolution from just a pop star to a voice of authenticity and self-determination.

In an industry that thrives on image and perception, her revelation marks a bold statement. It challenges the stereotype that female artists must always embody sexuality both on and off stage.

For Tiwa Savage, artistry and sensuality remain integral parts of her career, but her personal life is clearly under a different set of rules. “People think because of how I sing or dress that I must be living a certain way, but I’m just human like everyone else,” she said, laughing off the contradictions between her music and reality.

The timing of this revelation is telling. “This One Is Personal” has been hailed as her most introspective album yet, and her confessions about celibacy and egg freezing align perfectly with the themes of independence and reclaiming power that run through the project.

For fans, the music now feels even more layered, with lyrics that seemed like typical love songs suddenly reframed as reflections of a woman navigating solitude, longing, and the pursuit of personal growth.

Whether this new chapter in her life lasts for months or years, Tiwa Savage has once again proven her ability to control her own story. Her candor is not only newsworthy but also culturally significant, as it reshapes conversations about womanhood, sexuality, and freedom in Nigeria and beyond. And while fans may still be processing the shock of her celibacy revelation, the bigger message she seems to be sending is clear: fulfillment and identity do not have to hinge on sex, romance, or societal pressure.

For now, Tiwa Savage remains one of Afrobeats’ brightest stars, but beyond the spotlight, she is carving a path defined not by scandal or whispers but by choice and courage. Her truth may not fit neatly into the image many had of her, but it makes her story all the more powerful.

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